Another social commentary, this time from Godard – not nearly as introspective or personal as Faces – set in Paris during the midst of Vietnam. The film is essentially an in-depth analysis of the war’s consequential effects on society, specifically the plight of women in the job market. We follow an unrealistically indifferent housewife as she mopes around town, turns the occasional trick to earn a quick buck and contemplates the subjectivity of language and communication; which is all mind-gratingly dull. Funny thing is, I really admire Godard, but I’m beginning to detest his attempts at drama. From a humanistic perspective, his comedies are far more personal. His dramas, however, are usually dressed up in sermons.Perhaps I shouldn’t consider this a drama, or even a film for that matter. It’s more akin to a textbook, without the text. Yes, Godard has a lot on his chest: he outright condemns capitalism and consumerism, metaphorically calls society the government’s whore and dreams of a communist France, but it all feels so imposed. The film has plenty to say, sure, but Godard’s poor execution undermines the overall message. Maybe 2 or 3 is the sort of film that warrants revisiting, but first impressions are lasting impressions, and this one struck me as a dud.
5.5/10
I agree with you about his 'dramas', but I sure wish his 'comedies' were even remotely funny. I know I am in the minority here, but I think this guy is the most over-rated filmmaker in the history of cinema. (That said, I did like Le Petit Soldat. Maybe because it combines well drama and documentary.)
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